Telegraph Mills c. 19th century

Editor: This is Honoré Daumier's "Telegraph Mills," an undated lithograph at the Harvard Art Museums. It's quite satirical, with figures toiling around what seems to be a nonsensical mill. What's your take on the social commentary here? Curator: Daumier uses the mill, not as a source of production, but to critique the burdens placed upon the working class under burgeoning industrial capitalism. How do you interpret the bent postures and weary faces? Editor: They look exploited, dehumanized even. Curator: Exactly! Daumier’s lithographs were potent political tools. He’s indicting the social and political structures that perpetuate such misery. Is there a sense of hopelessness? Editor: Absolutely, it's a bleak depiction of labor. I had no idea this was such a powerful statement! Curator: Daumier challenged the status quo and used his art as a voice for the voiceless. He still speaks to many of our contemporary concerns.