Marvelous miracle (To the feat) 1937

Nicholas Roerich made Marvelous Miracle, possibly with tempera or casein, and it has this flattened, almost stage-set feel. The painting revels in different shades of blue and mauve to depict the mountains, each ridge is simplified, with subtle gradations that give a sense of depth. The paint application looks really smooth, disguising how Roerich built up these forms. You can almost see the artist’s hand as he layered the paint. The light feels spiritual, with the sunset reflecting on the mountain peaks. Then there’s the rider, a small figure on horseback, almost blending into the landscape. I find myself drawn to the horse's form and stance, as if it were about to embark on a great feat. This piece reminds me of Marsden Hartley’s landscapes, especially in the way both artists distilled form to create something monumental. Art is a continual conversation, isn't it?