silk, textile
knitting
silk
textile
fashion and textile design
geometric pattern
hand-embroidered
geometric
repetition of pattern
line
regular pattern
pattern repetition
textile design
imprinted textile
layered pattern
Dimensions 74 x 36 in. (187.96 x 91.44 cm)
Curator: This artwork is a “Skirt” by the Banjara people. It's crafted from silk and resides here at the Minneapolis Institute of Art, though its precise creation date is unknown. Editor: It has a lovely earthy quality—I am struck by how much it emphasizes texture over pictorial representation, the kind of piece where the process itself sings. It has this amazing repetitive, geometric pattern to it, it's meditative! Curator: Repetition is indeed key! The layering and arrangement of these linear patterns point to deeper significance within the Banjara community. Colors, motifs... these likely hold cultural meaning beyond mere decoration. Hand-embroidered elements would add a level of personalization and symbolic communication, wouldn't you agree? Editor: Absolutely, though the term “mere decoration” feels loaded. We must be mindful to consider that these elements would represent hours of labor by an individual or group of women from the Banjara tribe. Looking closer, I can almost feel the texture through the different widths and densities of the wefts and warps. It shows the artist's connection to her craft! Curator: Point taken! The physical creation *is* undeniably crucial, perhaps even devotional in some aspects. The choice of silk would denote access to trade routes. Imagine the skirt as more than just a garment but as a narrative device, worn at significant moments. The pattern can be seen almost as its own language—cultural memory imprinted on textile. Editor: Right. And not just any cultural memory but specifically *gendered* labour and local trade relations made physical. Curator: Precisely, the embodied labour. A lot to unpack within this single piece! Editor: Indeed. When considering this object as the sum total of materials, labour, and technique, the real value exists not in what it depicts, but how it connects its community. Curator: I will see its capacity to activate an inner understanding of history, lineage, and spiritual significance through geometric language! Thank you! Editor: Thank you! An eloquent summary on textile’s capacity to tie together creation, and social connection!
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