King (Kien Long from China), from "Court Game of Geography" 1838 - 1855

This print of King (Kien Long from China), from "Court Game of Geography" was created by William and Henry Rock in the 19th century, and is made of paper and ink. The image comes from a set of playing cards, and would have been produced through industrial processes, in multiple editions. The print's monochrome aesthetic, achieved through the linear precision of engraving, paradoxically enhances the depiction of opulence. Intricate patterns adorning the king's robe, along with his elaborate headdress and ornamentation, reflect the visual language of power. The image shows King Kien Long leaning on a detailed stone pillar. Consider how the material and process of printmaking democratizes representation; making images like this more accessible than a unique painting. The amount of work that went into the King’s garments, architectural structure, and the engraving itself, points to the social and economic forces at play. By recognizing the role of materials, making, and context, we can start to understand this image, and challenge traditional distinctions between fine art and craft.