Natfruitschaal van faience by De Witte Ster

Natfruitschaal van faience 1750 - 1780

intaglio, ceramic, porcelain

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dutch-golden-age

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intaglio

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ceramic

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porcelain

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geometric

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orientalism

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ceramic

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decorative-art

Curator: Here we have an exquisite example of Delftware: a faience fruit bowl dating from between 1750 and 1780. Editor: The cool, crisp blue and white immediately catches the eye. It’s rather charming, isn’t it? Though the shape is unconventional – like a stylized leaf with whimsical handles. Curator: Delftware, of course, was produced as a more affordable alternative to Chinese porcelain. The appeal of “orientalism” was in full swing, influencing European aesthetics across all mediums. This bowl gives you a glimpse into Dutch trade history. Editor: I’m more interested in the bowl itself as an object. Consider the process! Each brushstroke was carefully considered, building up those recognizable scenes of idealized pastoral life. There’s even what seems like a family crest right in the bowl. Curator: It evokes a fascinating tension; it’s clearly made to imitate the "exotic," but also depicts scenes rooted firmly in the Dutch landscape. This intersection creates a space where class aspirations and national identity are negotiated. Owning such a bowl sent very specific social messages. Editor: Precisely, messages embedded in materiality. Faience wasn’t simply "decoration"; it became intertwined with everyday acts of domesticity, consumption, even display. Consider where it sat, what it held—fruit from overseas, perhaps? Curator: And who would have been present? Who benefited from that wealth and who toiled in the factories that produced these goods? We can think about the consumer, absolutely, but what of the craftspeople whose labor made it possible? Editor: These makers were hardly anonymous; they were skilled laborers practicing specialized techniques, passing knowledge through generations! Their signatures are impressed across its surface, not unlike the paintings of the Golden Age. Curator: It certainly is thought-provoking how such an unassuming object can serve as a reflection of society itself, wouldn't you agree? Editor: Yes, it makes one appreciate all that goes into crafting something seemingly simple.

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