Pelgrims uit Martapura op Kalimantan, te Djedda by Christiaan Snouck Hurgronje

Pelgrims uit Martapura op Kalimantan, te Djedda before 1888

0:00
0:00

photography

# 

portrait

# 

photography

# 

orientalism

Dimensions height 192 mm, width 252 mm

Editor: Here we have a photograph entitled “Pilgrims from Martapura in Kalimantan, in Jeddah,” attributed to Christiaan Snouck Hurgronje, dating from before 1888. It depicts a group of seated individuals. The clothing seems very important... How do we interpret this work, especially in the context of its creation and the society it depicts? Curator: Let’s focus on the production of this image and its materiality. Think about photography at this time: its reliance on specific chemicals, skilled labor, and the entire industrial apparatus required to make this photograph possible and how all these things are involved in the message being displayed. How might that influence what is captured? Editor: That's fascinating. I hadn't thought about the industrial aspect. So, it's not just a snapshot, but the product of significant resources. Could that have affected the photographer's choices, the subjects’ willingness to participate, even the composition itself? Curator: Precisely! Now, let's examine the material realities represented within the photo: the garments. These cloths and garments represent economic exchange, cultural identity, possibly trade routes, certainly class. What stories do they tell us about the people depicted and their world? What specific labor produced these articles of dress and who profits from them? Editor: So, by understanding the materials and labor behind both the image and what is represented, we get a richer sense of the social and economic context, moving beyond just seeing a group portrait? Curator: Exactly. The photo acts as a document revealing social dynamics far beyond the surface representation. By analyzing the layers of production and consumption, we confront the complex relationship between the West and other cultures. Editor: I never thought about photographs like that! I see now that focusing on the materials opens up avenues for interpreting its cultural implications. Thanks! Curator: And now I am thinking more deeply about what I have learned from you in analyzing art with that kind of question in mind!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.