Banner; verso: Two Banners c. 19th century

Editor: This is Edward Burne-Jones's drawing, "Banner; verso: Two Banners." It's a graphite work, and I find the folds in the banner so compelling. What do you make of the composition? Curator: Observe how Burne-Jones uses line and shadow to create a sense of volume. The banner’s folds aren't merely representational; they're structural elements defining the form. Notice the strategic placement of darker graphite to suggest depth. How do the lines direct your eye? Editor: They seem to cascade downward, emphasizing the weight and drape of the fabric. It’s interesting how such a simple subject can be so visually rich. Curator: Precisely. The artist's mastery lies in transforming the mundane into a study of form and light. We see his engagement with pre-Raphaelite ideals, valuing beauty through detailed observation. Have your perceptions of the drawing changed? Editor: Absolutely. I appreciate the attention to detail and the way light shapes the form, moving beyond just a simple image of a banner. Curator: Indeed, this study highlights the power of close formal analysis, illuminating Burne-Jones's artistic vision.