Three Banners; verso: Two Banners c. 19th century

Curator: This is Edward Burne-Jones' study, "Three Banners; verso: Two Banners," part of the collection at the Harvard Art Museums. It offers an intriguing glimpse into the artist's working methods. Editor: They have a somber quality, even unfinished. The pencil work captures the weight and movement of the fabric in a powerful way. Curator: Absolutely. Burne-Jones was deeply engaged with medievalism, and banners were potent symbols of power, allegiance, and even religious fervor. Their tattered state perhaps hints at fading ideals. Editor: Look at the layering and cross-hatching, though. The material depiction is superb. Were these banners part of a larger decorative scheme, or perhaps studies for tapestries? The production context matters. Curator: Possibly. Burne-Jones often designed for Morris & Co., so these could well be preparatory sketches for larger, more elaborate projects intended for grand public display. Editor: It brings to mind questions about the societal function of art, how the artist’s hand translates into mass production, and how those objects then shape cultural identity. Curator: A fascinating web of connections, isn't it? From the artist's hand to the symbolism of the banner, and ultimately to its role in shaping our understanding of history. Editor: Indeed. It makes me think about the skilled labor needed to produce artworks that carry meaning and impact.