Guitar 1620 - 1660

This is a guitar made by Matteo Sellas, sometime between 1599 and 1654. The lute, with its rounded body, flat neck and multiple strings, is sensuous and evocative. The back and sides are constructed of alternating dark and light wood. The wood creates a ribbed effect that visually emphasizes the instrument’s depth, much like the fluting on classical columns. This structured form gives the guitar a tactile presence, inviting touch. The patterns inlaid upon the surface are highly symbolic. The rosette around the soundhole consists of an interwoven design; while the botanical forms inlaid near the bridge reference the natural world. Through its ornamented structure, the guitar transcends its utilitarian purpose. It becomes not just a musical instrument but a vessel of cultural and philosophical symbolism. Here we see that every visual component contributes to a conversation that extends beyond mere aesthetics. This reminds us that the interpretation of art remains fluid, shaped by ongoing dialogue and shifting perspectives.