Fire of Creation 1976

David Chethlahe Paladin’s ‘Fire of Creation’ presents an intriguing interplay of geometric forms, executed in muted earth tones, creating a harmonious yet complex composition. The use of circles, triangles and grid-like structures evoke both a sense of ancient symbolism and modern abstraction. The mirrored flames at the center form a compelling focal point, suggesting balance and duality. Paladin’s careful arrangement of shapes invites us to consider the semiotic weight of each element. The grid structure, reminiscent of modernist formalism, grounds the composition. Yet the inclusion of organic shapes and symbolic flames destabilizes any rigid interpretation. Ultimately, ‘Fire of Creation’ functions as a field of signs, where geometric abstraction meets symbolic representation. This pushes us to move beyond mere aesthetic appreciation and towards a richer, more nuanced understanding of how Paladin’s forms construct meaning and challenge our perceptions.