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Curator: Goya's print "Where Is Mother Going?" presents a bizarre, almost grotesque scene. It hits you right away, doesn't it? Editor: It does. The figures, seemingly levitating, almost feel like a commentary on the burdens and inversions of power dynamics. It appears to be an etching... Curator: Yes, and Goya's mastery is evident. The aquatint gives those eerie, atmospheric tonal gradations. The lines create a clear distinction between foreground and background. Look at the paper itself - likely handmade, showing the textures of its own production. Editor: Consider the historical backdrop. Goya lived through upheaval, and this print resonates with critiques of power and social hierarchies. The witch-like figure with the umbrella, the grotesqueness of the figures carrying her... it is all quite loaded. Curator: It's a compelling example of how artistic skill can turn base materials into a powerful message, isn't it? Editor: Indeed, and these prints open a window into Goya’s engagement with some very challenging social issues.
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