Portret van Nicolaus de Kemp by Cornelis van Noorde

Portret van Nicolaus de Kemp 1752

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comic strip sketch

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blue ink drawing

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old engraving style

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personal sketchbook

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idea generation sketch

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ink drawing experimentation

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pen-ink sketch

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

Dimensions height 82 mm, width 82 mm

Curator: Materially, this engraving presents an interesting set of contrasts in 18th-century print production. Editor: This is Cornelis van Noorde’s "Portrait of Nicolaus de Kemp," created in 1752. The fine lines forming the portrait, contrasted against a background of parallel lines, create a striking visual effect. What does this say about the time it was produced in? Curator: Notice the precision required for engraving. This process reflects not just artistic skill, but also a certain mode of production – an artisanal one increasingly challenged by industrialization even in the 18th century. The labour involved in creating such a detailed image would have been significant. How do you think its relative value might have been impacted by these factors? Editor: It sounds like you are saying this level of craftsmanship affected how society consumed the artwork? Curator: Exactly! Engravings like this one were often reproduced, and that proliferation enabled a broader audience and shifted focus toward commodification. Was it affordable to the common man or exclusive to elite society? The answer would reveal much about art and its access in society at that time. Editor: So, the material and labor that went into creating this image reflect broader economic shifts and social stratification of the period. I see. Curator: Precisely. Analyzing this engraving, considering the production process alongside the artistic intention and its value in society, helps us appreciate art as a social product rather than simply an aesthetic one. Editor: It's fascinating to consider how labor and material context intersect with the artistic merit of the artwork. It shifts the way I look at everything now. Curator: Indeed. Seeing the artwork as a consequence of material means will unlock new insights!

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