An Arch of Westminster Bridge c. 1750

Curator: Samuel Scott’s “An Arch of Westminster Bridge," hanging here at the Tate Britain, presents a fascinating look at London's evolving infrastructure. It measures about 135 by 163 cm. Editor: The scale! It draws my eye right up into the stones, makes me feel like I'm standing in the river, dwarfed by this colossal arch. Curator: Indeed. It is the materiality, the sheer labor of constructing this bridge—stone by stone, worker by worker—that I find captivating. Scott depicts not just a landmark but a feat of engineering and social cooperation. Editor: And those workers perched precariously on top! There's a certain romance to it, a sense of human endeavor against the vastness of the river and sky. It's a hopeful image, like a city reaching for something grand. Curator: It's a compelling lens through which to observe 18th-century London—the rise of commerce, the burgeoning city, all framed by this very modern bridge. Editor: Looking closer, I see a connection between the people constructing and using it. It creates a complete narrative about progress and its impact. Curator: Exactly. The painting is a testament to collective effort, and also offers a glimpse into how society was structured at that time. Editor: It's more than just a picture of a bridge; it's a portrait of ambition.