Dimensions: support: 725 x 1460 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Richard Wilson's "Westminster Bridge under Construction" captures a moment in London's architectural history. I'm struck by how the scene depicts labor alongside leisure. What elements of production stand out to you? Curator: Notice how Wilson doesn't shy away from showing the raw materials, the boats transporting goods, and the laborers themselves. It’s a deliberate act, reminding us that this picturesque scene is the result of significant human effort and resource consumption. Consider the social implications of this development: who benefits, and at what cost? Editor: So, you’re saying it’s not just a pretty picture, but a record of the changing social landscape? Curator: Precisely. Wilson highlights the relationship between the natural resources, the construction process, and the social fabric of 18th-century London. It prompts us to consider the material conditions underlying artistic representations. Editor: That gives me a whole new perspective. Thanks! Curator: My pleasure. It is a pleasure when art unveils its material layers.
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http://www.tate.org.uk/art/artworks/wilson-westminster-bridge-under-construction-t03665
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Wilson painted this view of Westminster Bridge under construction in the early autumn of 1744. The bridge, begun in 1738 and opened in 1750, was one of the major civic projects of the century. It became the focal point of many paintings of London, including the one by Samuel Scott, shown nearby. When Wilson painted this picture, he was still working principally as a portrait painter. But his attention to the broad sweep of scenery surrounding the bridge, and sensitive rendition of light, show he was profoundly interested in landscape. Gallery label, September 2024