Cartouche met het wapen van Oostenrijk by Anonymous

Cartouche met het wapen van Oostenrijk 1592

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print, engraving

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baroque

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print

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old engraving style

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geometric

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line

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history-painting

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engraving

Dimensions: height 63 mm, width 116 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a fascinating engraving titled "Cartouche met het wapen van Oostenrijk," which translates to Cartouche with the Coat of Arms of Austria, created in 1592. It feels very… formal, almost mathematical in its precision. There’s a sense of contained power here, and that baroque detail! How do you interpret the symbolism and function of this piece? Curator: Oh, I adore these old engravings! The 'feel' you're getting is spot on, that "contained power" – this wasn’t just decorative frippery. Remember, 1592 – the Habsburgs were *the* power players in Europe. What strikes me is the fusion of cartography and heraldry. The scale – *Scala Milliarium Austriacorum* – this wasn’t *just* showing off the family crest; it’s about asserting control and measuring the very land they ruled. Do you see the animal motifs dotted about the frieze work? They were deliberately chosen, adding depth to its symbolic meaning. Almost like subliminal messaging from nearly 500 years ago! Editor: That's interesting – so it’s less an artwork for display and more a kind of… propaganda? Curator: Propaganda is too loaded a word. More like… visual brand reinforcement! Look closely at the geometric lines, then let your eye wander towards the flowing Baroque style... The print maker is flexing design muscle. The image also hints at social mobility and cultural ambition in that specific time. Editor: I see that. The sharp lines defining land alongside those fanciful, swirling elements… it's a careful balance. The numbers at the bottom appear deliberately clear for reference. I never thought I could feel propaganda and graphic design when looking at what appears to be an image of an ornate map. Curator: Exactly! What’s fascinating is how information and image are intertwined; it invites reflection, doesn't it? I also learned something new by seeing this piece next to your reactions to it.

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