Copyright: Public domain
"The Holy Kinship" was painted in the late 15th century by Geertgen tot Sint Jans, likely for a church setting in the Netherlands. The painting presents a narrative that diverges from traditional biblical scenes, focusing instead on the extended family of Jesus, portraying the women as central figures. This choice reflects the shifting societal roles and growing recognition of women's importance within the domestic sphere. The composition, with its emphasis on maternal bonds and familial connections, suggests a broader cultural interest in the roles of women as nurturers and keepers of the family. It is interesting to note that while the painting celebrates the female figures in the life of Jesus, it does so within the confines of religious and familial expectations. The women are depicted as pious and nurturing, reinforcing existing gender norms even while elevating their status. The image prompts us to consider the delicate balance between challenging and upholding societal norms, and how these dynamics are reflected in artistic expression.
Christ’s next of kin are gathered in an imaginary medieval church. The term for such a scene derives from the word for a blood relation. At left, the Virgin (in blue) is seated with Jesus on her lap beside her mother, Anne. Behind them stand their husbands, Joachim and Joseph. At right sits Mary’s cousin Elizabeth with her son, John the Baptist.
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