La Tristesse de Rouher c. 19th century

This print by Honoré Daumier presents us with a satirical image of Eugène Rouher, a prominent French statesman. Note the gargoyle encased in glass. Traditionally, gargoyles served as protectors, warding off evil with their grotesque visages. However, here, the gargoyle's presence is far from protective. Instead, it acts as a mirror reflecting Rouher's own perceived ugliness and moral corruption. We are reminded of the medieval cathedrals and the grotesque figures that populate them, meant to remind us of the base nature of humanity. The act of encasing the gargoyle suggests an attempt to contain or control this darker aspect, yet it remains ever-present, a haunting reminder. Consider how such symbols evolve, their protective power twisted into emblems of shame. The psychological power of the image lies in its ability to tap into our collective fear of the grotesque, and the unease we feel when confronted with our own imperfections. The gargoyle's cyclical journey echoes humanity’s own.