Engel zegent het nieuwe jaar 1779

Curator: What a fascinating find. We’re looking at “Engel zegent het nieuwe jaar,” or “Angel Blessing the New Year,” created in 1779 by Daniel Nikolaus Chodowiecki. This is an engraving, currently held in the Rijksmuseum. Editor: My first thought? Well, if that doesn't scream 'new beginnings,' I don't know what does! Look at that winged figure, soaring from what looks like divine light, ushering in... something! Feels hopeful, airy. Is it me, or is there a touch of the dramatic here? Curator: Yes, quite. Chodowiecki was working during a period heavily influenced by Romanticism, and though this engraving features elements of genre painting, it certainly possesses a heightened sense of drama and moral instruction characteristic of the late 18th century. Consider the symbolic weight—an angel, a messenger from the divine, bringing blessings specifically for the New Year. This engraving would have circulated widely. Editor: True, very interesting. And practical, I mean! The choice of an engraving means this could reach many people. Imagine folks pinning it above their mantle, willing prosperity into their lives! But is it all that optimistic? The angel looks a little weary, burdened almost. Blessing ain't easy work, I guess. Curator: It is fascinating how he imbues a seemingly idealized figure with a hint of humanity. Think about the historical context; 1779 was a period of considerable political and social upheaval. The promise of a 'blessed' new year might have served as both a genuine wish and a form of subtle social commentary, perhaps even an encouragement to endure. These types of prints had real political impact. Editor: I'm seeing that now. I also get a sense that maybe we're craving these moments of blessing. Times might change but that hunger for something better feels as real as it did back then. Curator: A very insightful connection, indeed. Examining Chodowiecki's piece through today’s eyes offers valuable insights. It allows us to revisit 18th-century anxieties and hopes, while contemplating our contemporary landscape. Editor: It's like a tiny, divine message in a bottle sent through time. Thank you for that amazing insight. Curator: And thank you for adding such refreshing insights to the dialogue!