Interlaken, die Jungfrau c. 1910

Curator: Before us, we have A. G. Wehrli’s image titled "Interlaken, die Jungfrau," housed here at the Harvard Art Museums. Editor: Immediately, I'm struck by the stark contrast—the dark, almost foreboding valley against the blinding, pristine snow of the Jungfrau. Curator: Indeed, the composition is quite deliberate. Notice how the framing emphasizes the mountain's imposing form, dominating the landscape. The interplay of light and shadow creates a powerful dynamic. Editor: The mountain itself, "die Jungfrau," the Virgin, carries centuries of symbolic weight. It represents purity, but also untamed nature, a force to be reckoned with. The valley almost seems to be in supplication. Curator: I agree. The tonal range, the strategic use of grayscale, evokes a certain romantic sublime—a nod to the power of nature that transcends any literal depiction. Editor: It makes me think about how mountains, across cultures, often symbolize spiritual ascent, trials, and the ultimate confrontation with oneself. This image captures that struggle beautifully. Curator: A powerful interpretation. It is precisely the artist's deft handling of form and light that allows these meanings to surface. Editor: It’s a stark reminder of the enduring power of visual symbols. Curator: A testament to art's capacity to hold and convey complex cultural meaning.