From Interlaken, The Jungfrau, Bernese Oberland 1923

Curator: E. Gyger's black and white photograph, "From Interlaken, The Jungfrau, Bernese Oberland," presents a majestic peak in striking contrast. Editor: The sheer scale of the mountain is imposing, almost suffocating. The darkness of the surrounding trees amplifies the sense of isolation and power. Curator: Note how Gyger uses light and shadow to define the mountain's form. The composition directs our gaze upward, emphasizing its verticality. The strategic framing creates a balanced, almost classical feel. Editor: I find it problematic how landscape photography often romanticizes untouched wilderness, obscuring the histories of exploitation and colonialism tied to land ownership and access. Who truly benefits from this image? Curator: I appreciate your perspective, but I see an intriguing interplay between the representational and the abstract, which invites contemplation. Editor: Perhaps. But what does this mountain represent to the indigenous communities who were likely displaced for its "discovery" and subsequent tourist trade? Curator: I think we can agree that this photograph offers a lot to think about, aesthetically and historically. Editor: Precisely. It reminds us to consider the full story behind these seemingly pristine vistas.