Landscape Local New Jersey c. 1923

Editor: This is John Marin’s "Landscape Local New Jersey," from around 1923. It’s a watercolor painting, and I find the composition really interesting – it's almost like a puzzle of shapes. What do you see in this piece? Curator: The structure is quite remarkable. Observe how Marin deploys color. Pale yellows and greens dominate, creating a sense of openness. However, the artist avoids predictable representation by segmenting forms with dynamic brushstrokes. Note also the assertive yet delicate application of paint. Editor: So it's less about what is literally depicted and more about how he depicts it? Curator: Precisely. The work is an exercise in abstracting the essence of landscape. Lines and colors are deployed to evoke sensation rather than describe place. Semiotically, how does this departure from naturalism inform your reading of the artwork? Editor: I suppose it encourages the viewer to participate, to piece together their own understanding of the scene based on these elemental forms. What about the white space around the watercolor washes? Curator: Indeed. The negative space functions as an active element. The paper, through its untouched expanse, serves to amplify the vibrancy of the watercolor. The rough edges create further visual tensions between the controlled application of colour, and what escapes control through the watercolour bleeding. Editor: I never thought about how much the empty parts could add. Thanks, I will definetly start taking note of how blank areas within the art may be impacting on my personal viewing. Curator: By focusing on the inherent qualities of Marin's design we reveal more about his modern sensibilties and design.