Composition 1920

Erich Buchholz made this abstract composition using linocut, a technique related to woodcut. In both, the artist carves away areas of a block, then inks and prints the raised surface. In this case, the stark contrast between the bright ground and black pattern amplifies the geometry. The linocut technique, associated with graphic design and commercial printing, gives this composition a mechanical feel, in contrast to the gestural marks of painting. The linear quality, like a city plan, evokes the built environment and echoes the rapid industrialization of the early 20th century. The labor involved in this process reflects the artist's commitment to accessible art forms, blurring the line between fine art and craft. Buchholz’s choice of linocut underscores a larger artistic move towards embracing modern materials and processes. This prompts us to rethink traditional hierarchies within the art world.