Allegorie met Mars 1739 - 1789

Editor: This intaglio print, "Allegorie met Mars" by Pieter Franciscus Martenasie, likely created between 1739 and 1789, depicts a classical scene. It has such a formal, staged feeling to it. What stands out to you? Curator: The engraving embodies a complex interplay of power, divinity, and social order, which was central to the Baroque period. Consider, the image reproduces a tableau "in the Cabinet of Monsieur Van Schorel". What can we deduce from the text in the print? Editor: Maybe the artwork advertised an aristocratic family’s wealth and discerning taste by referencing its own impressive art collection? Curator: Precisely! This was a strategic display of power through the commissioning and collecting of art, aimed at projecting an image of sophistication. Look closer at Mars, the God of War. What’s your read on his gesture? Editor: He appears to be offering a sword to the baby Jesus held by the woman wearing a crown, who I guess is the Virgin Mary? Curator: It's unusual, isn’t it? Consider the possible interpretations: is it the Church appropriating the strength of military power or perhaps it is an allegory for some type of peaceful submission of earthly powers to a higher order, reflecting the prevailing religious and political ideologies of the era. Also, consider the political tensions and conflicts ongoing at the time of this prints creation; does the act feel ironic given this history? Editor: So the print isn't just about art; it reflects power dynamics and the use of imagery to support social and political agendas. Thank you. I didn’t expect that. Curator: My pleasure. The layers of context reveal how art actively shaped historical narratives and cultural identity.