Untitled 

This untitled work was painted by Yves Laloy, using traditional art materials such as canvas and acrylics. The painting's meticulous geometric patterns and orderly arrangement speak to both the precision of architectural blueprints and the repetitious processes of industrial production. The artist’s hand is clearly evident in the crisp lines and evenly distributed colors, however, the composition feels more like a schematic diagram or plan, than a painterly creation, blurring the line between art and design. Laloy likely used tools such as rulers, templates, or even stencils to achieve this level of exactitude. The use of geometric elements and patterns evokes a connection to design aesthetics. Ultimately, this painting challenges the divide between artistic expression and industrial production. By bringing the visual language of planning into the realm of painting, Laloy prompts us to consider how art and industry are inextricably linked.