In my Family When Someone Dies they are Cremated and their Ashes are Thrown Across the Sea 1997
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Copyright: © Tracey Emin | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Tracey Emin's installation, "In my Family When Someone Dies they are Cremated and their Ashes are Thrown Across the Sea," features these stark, white birds suspended in flight. They evoke a sense of peace, but also loss. What symbols do you see at play in this piece? Curator: The birds, of course, immediately suggest freedom, the soul's release. But consider the colour – white is often associated with purity, but also with mourning in some cultures. How does the title inform your interpretation of this symbolism? Editor: It makes me think of those birds as souls of the departed, carried away by the sea. Curator: Precisely. Emin uses this imagery to tap into our collective understanding of grief and remembrance, and how we project our emotions onto the natural world. Editor: That's a beautiful way to put it; it makes the experience of loss feel universal.
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http://www.tate.org.uk/art/artworks/emin-in-my-family-when-someone-dies-they-are-cremated-and-their-ashes-are-thrown-across-t11892
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This work comprises eleven plaster seagulls hanging in the gallery space as though they are swooping towards the viewer. The seagulls are cast from the same mould and bear the words ‘I COULD REALLY HAVE LOVED YOU’ in raised textured capitals across their backs and wings. These words were originally part of the work’s title. The seagulls are suspended from the ceiling using fishing wire in flock formation: one in front, followed by two, then three, then five. The plaster casts, painted with a coat of white acrylic, have a fragile, bone-like quality.