Persian Ornament no. 4. From a Persian manufacturer's pattern book, Marlborough House by Owen Jones

Persian Ornament no. 4. From a Persian manufacturer's pattern book, Marlborough House 

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drawing, textile

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drawing

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pattern

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textile

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geometric pattern

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geometric

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orientalism

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decorative-art

Copyright: Public domain

Curator: Right, so what leaps out at you from this page, plucked from a Persian manufacturer's pattern book? It’s titled “Persian Ornament no. 4.” Editor: An overflowing garden of possibilities! It's playful and yet controlled; there’s a joyful restraint at work. Like someone curated a perfectly balanced bouquet for every imaginable occasion. Curator: Precisely. These were design ideas, captured as a drawing and intended for textiles. Think of the flow! It feels, on one level, very much like a field of specimens. But there’s no coldness—Owen Jones captures so much exuberance and liveliness in the rendering. Editor: Absolutely. And when I look at them all laid out, these individual flowers aren’t merely pretty. Each is charged with echoes of something far older—those pomegranate motifs hint at cycles of fertility and rebirth, while the palmettes unfurl secrets of growth, stylized across millennia! Curator: The palmettes are definitely a recurring visual motif, carrying complex ideas. Remember that in the mid-19th century, pattern books like these weren't just about aesthetics; they played a part in shaping cultural perceptions of the East through design. What kind of East they shaped is always an interesting question! Editor: A crafted East! An Orient carefully arranged for Western consumption. But even with that distance and that constructed vision, it doesn't negate the power embedded within those floral designs. The geometric rigour meets fluid, organic life. Curator: I agree completely, it seems to hint that the organic and geometric inform one another – one informs structure and the other the energy, as such they appear both intertwined as something unified. And those bold, almost jewel-like tones—they pull you right in, promising hidden stories. I could get lost for hours contemplating each individual piece. Editor: As could I. The pattern itself may represent an echo from other lands, but, it has in fact inspired other creatives across great lengths. To imagine the infinite possibilities that can flourish just from this sheet – truly is powerful.

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