Portrait of Grand Duke Konstantin Pavlovich by Vladimir Borovikovsky

Portrait of Grand Duke Konstantin Pavlovich 1795

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Chuvash State Museum of Fine Arts, Cheboksary, Russia

painting

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portrait

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character portrait

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portrait image

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painting

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portrait subject

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portrait reference

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male-portraits

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portrait head and shoulder

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romanticism

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history-painting

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portrait art

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portrait character photography

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fine art portrait

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celebrity portrait

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digital portrait

Dimensions 52.5 x 67.3 cm

Curator: Here we have Vladimir Borovikovsky’s “Portrait of Grand Duke Konstantin Pavlovich,” painted in 1795. The painting resides at the Chuvash State Museum of Fine Arts in Russia. Editor: He looks… apprehensive? A little boy in a uniform that’s slightly too big. It's as if he’s been told to stand still and smile, but inside he’s screaming. The red cheeks don't help. Is he cold, or flustered? Curator: The artist captures a very interesting contrast. We see youth, represented by the softness of his face, juxtaposed with symbols of military power and authority – the uniform, the medal, and the battlefield hinted at in the background. It speaks to the complex position of Russian aristocracy at this time. Editor: Battlefield, huh? More like a blurry backdrop. I'm caught by his hand, resting on...nothing? It's a delicate gesture, utterly at odds with the stiff military attire. What is he trying to convey? Longing for childhood amidst looming duty, perhaps? Or that they just didn't know how to pose a kid? Curator: The composition leads us from the detailed textures of his uniform to the soft landscape background. Semiotically, each element speaks volumes about the subject's identity, societal role, and the expectations placed upon him as a member of the royal family. Notice how the cool greens and blues of the coat balance the rosy complexion. Editor: Balance maybe, but not quite resolve the boy’s apparent discomfort. The medal looms large, feels heavy, crushing the green of his coat. It’s all so very serious, isn't it? Considering the circumstances – late 18th century, portraiture as propaganda – it almost humanizes Konstantin, by suggesting a tension between his youth and preordained role. Or I'm projecting entirely! Curator: Art historical study encourages multiple readings and interpretations, of course. This tension that you highlight reflects an important transitional moment in Russia's sociopolitical history. It certainly bears more contemplation... Editor: A kid playing dress-up, a nation on the brink... Thanks for untangling it.

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