De Nieuwe Kerk te Den Haag by Cornelis Elandts

De Nieuwe Kerk te Den Haag 1663 - 1670

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drawing, print, metal, etching, engraving, architecture

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drawing

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aged paper

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quirky sketch

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dutch-golden-age

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print

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metal

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etching

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old engraving style

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sketch book

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landscape

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personal sketchbook

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sketchwork

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pen-ink sketch

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line

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sketchbook drawing

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cityscape

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storyboard and sketchbook work

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sketchbook art

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engraving

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architecture

Dimensions height 135 mm, width 157 mm

Editor: This print from the Dutch Golden Age, “De Nieuwe Kerk te Den Haag,” attributed to Cornelis Elandts and dating from the mid-17th century, showcases an etching of a Dutch cityscape dominated by a large church. I find the crisp detail fascinating; it almost feels like looking at a historical record. What historical context do you think shaped this work? Curator: This piece really invites us to consider the socio-political position of the church in 17th century Dutch society, especially as it was emerging from the Eighty Years' War. How does the scale of the church compared to the figures and surrounding architecture speak to the influence of religion at that time? Do you see that visual dominance as a reflection of actual power dynamics? Editor: Definitely. The church commands the entire scene, literally towering above everything else, but do you think the choice of a relatively mundane street-level perspective normalizes that power or perhaps even questions it? Curator: That’s a perceptive question! The street view certainly brings an everyday element to the work. It humanizes the scene, drawing our attention to how the church's presence would have been an inescapable aspect of daily life. But consider who these people in the scene might be. How would this representation differ if, instead of commoners, the artist included nobles? Editor: That’s true. Changing the figures could totally alter the power dynamics represented! I never considered that the artist might have been deliberately including these folks. Curator: Precisely. Consider how period representations could promote or critique established hierarchies and leave space for more inclusive narratives. That questioning can open up avenues for a richer and deeper connection with this work, don’t you think? Editor: I do. This perspective adds a layer I had missed. It’s exciting to see art as not just a record, but an active voice within history. Curator: Indeed. Now, let’s consider another Dutch Golden Age church depiction and see if a comparison reveals further social dynamics...

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