Commode (part of a set) 1767 - 1777

Curator: Oh, look at this, it practically sings! We're standing before a commode, part of a larger set, crafted between 1767 and 1777. The name of Christopher Fuhrlogh is attached to it. Just bursting with the flourishes of Rococo. Editor: It’s rather intense. A bit much, even? I am initially overwhelmed by the symmetrical divisions of veneers that are dissected by sinuous floral and vegetal elements, an explosion of gilt bronze on wood. It feels designed to impress! Curator: But that's its joy, isn't it? Every inch seems to want to express pleasure, excess… and yes, power. Think about its placement – probably holding objects of intimacy. Yet, what stands out is that central panel... like a window into another world. Almost makes you wonder what kind of stories it holds. Editor: The commode indeed employs a fascinating visual hierarchy. The central oval dominates the orthogonal planes through size and framing devices and with its implied figural depth of field and implied narrative scene it provides a stark counterpoint to what you note are expressions of material indulgence. I mean, what we see there – what do we actually SEE in this mythological image of a standing figure within a landscape? Curator: Well, for me, I am moved by this almost casual air around the figure! It is not like an uptight formal painting; the pose looks so unstudied and off guard. Imagine keeping clothes inside...knowing this lovely scene lies within. Like your secrets are blessed by the muse. Does the image's relative “looseness” imply any connection of maker to owner? We have no way to know… Editor: A captivating piece to ponder over; however, ultimately the function and style, even in concert with your reading of the depicted mythos, become a showcase, an embodiment, and perhaps even, an exaggeration of the ideals and tastes of its commissioner and time. A complex statement! Curator: Exactly. You put it perfectly. It is something that wants to evoke an attitude from the individual opening up each drawer.