The Rhône and the Saône c. 17th century

Editor: Here we have Charles Le Brun's "The Rhône and the Saône," a drawing at the Harvard Art Museums. The figures feel so grand, almost like a monument in monochrome. What do you see in this piece beyond its classical references? Curator: It's interesting to consider the context of imagery in Le Brun's time. He was essentially the artistic dictator under Louis XIV. How do you think this drawing reflects or reinforces the Sun King’s power and ambitions? Editor: It feels like an idealized vision, maybe a projection of power onto the landscape itself? The rivers as symbols of France's strength? Curator: Precisely. It's about shaping public perception and glorifying the French state through allegorical figures and classical motifs. Are we still doing that today? Editor: That's fascinating. I never thought about it in terms of political messaging. Curator: Understanding the socio-political intentions behind such artworks really transforms how we see them. Editor: Definitely gives me a new lens to consider when looking at art. Thanks!