Adoration of Christ c. 19th century

Curator: Here we have Joseph von Führich's "Adoration of Christ," currently residing here at the Harvard Art Museums. Editor: It strikes me as quite delicate; the thin, etching-like lines give it an almost ethereal quality. I wonder what kind of metal plate was used for the printing process. Curator: Führich, working in the 19th century, engaged deeply with religious art and the socio-political role of art in spiritual life. Notice how the figures are arranged to convey humility and reverence. Editor: Yes, but it's the material conditions of the production itself that intrigues me. The detail suggests a skilled hand and laborious process. I wonder about the accessibility of such prints, who could afford them? Curator: Prints like these were often used for educational purposes, disseminating religious narratives to a wider audience. They played a role in shaping cultural values. Editor: Indeed, and understanding the materials used, the printing press technology, and the economics involved offers us a more grounded perspective on its creation and consumption. Curator: It's fascinating how art history and materiality can provide such complementary insights. Editor: Exactly, together, we uncover a richer narrative.