Design for Fringed Curtains by Anonymous

Design for Fringed Curtains 1800 - 1850

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drawing, print

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architectural sketch

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drawing

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aged paper

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toned paper

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ink paper printed

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print

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etching

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personal sketchbook

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historical fashion

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architectural drawing

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architecture drawing

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storyboard and sketchbook work

Dimensions sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm)

Editor: This is an intriguing design sketch titled "Design for Fringed Curtains," dating from 1800 to 1850. It’s currently housed here at the Metropolitan Museum of Art. It appears to be a print with ink on toned paper. The design seems almost frozen in time. What can you tell me about this piece in terms of social history and the status it might signify? Curator: It’s crucial to situate a seemingly innocuous piece like this within its historical and social context. Think about the early 19th century: who had access to these kinds of elaborate window treatments? Fringed curtains like this, detailed in an architectural drawing, spoke volumes about the social and economic power of the person or family who commissioned them. Editor: So it's about wealth and status. How does the design contribute to the idea of exclusivity? Curator: Exactly. Consider the materiality. These aren't just curtains; they are carefully designed, expensive textiles intended for a specific architectural space. Fringes, the quality of fabric implied in the sketch - it all signifies wealth. Think about gender too: Who was usually in charge of interior design and household aesthetics? How did they reflect and uphold standards of social standing and identity? Editor: It’s fascinating to consider the domestic space as a site of power and how this sketch plays into that. So, more than just an object, it is a declaration? Curator: Precisely! And further, an enmeshed conversation about class and taste that would resonate throughout the household. A print like this could circulate among those aspiring to a similar lifestyle, acting as a guide or even a subtle form of social competition. It serves as a window - literally and figuratively - into a complex web of social dynamics and power structures. Editor: This really shifts my perspective on design! It highlights how deeply intertwined art and design are with socio-economic contexts, more than meets the eye. Curator: Agreed. By critically examining such pieces, we understand not just the artistic intention, but also the values, power dynamics, and aspirations embedded within everyday life.

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