photography, gelatin-silver-print
portrait
photography
historical photography
orientalism
gelatin-silver-print
history-painting
academic-art
Dimensions height 140 mm, width 90 mm
Curator: Before us is a photograph, likely a gelatin-silver print dating from the early 20th century, titled "Portret van Gérard Leman in uniform," featuring Jean Malvaux's profile subject. Editor: He looks formidable, doesn't he? Stern and authoritative, gazing confidently straight ahead, rigidly postured with an impeccable dark military garment shining and neatly buttoned up to the collar. Curator: Indeed. The artist has clearly manipulated tonal gradations, achieving considerable depth in what is ostensibly a very formal, structured portrait. The strong vertical lines of his posture and uniform create a sense of dignity. Note how the texture in his mustaches contrasts the sleek background. Editor: And think of the symbols and what the picture attempts to transmit! The crisp uniform heavily adorned with medals evokes an image of national strength and unwavering discipline. Military portraits like these cemented the notion of an established national character—linking this specific man to cultural beliefs around power, duty, and patriotism. The gaze suggests duty! Curator: I would also like to point out how the frame shape further emphasizes the figure within. It is intentionally drawing the eye in to frame him for what he is. Note the use of negative space in the lower portion balances out the ornate quality up top! Editor: Exactly. This portrait is also very clearly selling the idea of national identity with a purpose, that identity as inherently military. I mean the name of the photographic series to which it belonged and of whom the original photo was a commercial print, 'the families of the militaries under the flags sold by "The Belgian Expansion Review", reveals just that intention. Curator: Absolutely. The historical weight adds another layer to the appreciation of formal elements within this representation. Editor: It leaves me thinking about what cultural meanings associated with the photographic portraits endured – and perhaps changed – since then. Curator: It encourages us to see history, culture, and society in a new light through those lenses.
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