Kathryn Kidder, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes 1885 - 1891
print, photography
portrait
photography
Dimensions Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm)
Editor: This is a sepia-toned print from Allen & Ginter's Actors and Actresses series, placing Kathryn Kidder, presumably a well-known actress, front and center. It feels like a snapshot of idealized femininity from the late 19th century, with that ornate lace collar and dreamy gaze. How do we begin to unpack the public role of an image like this? Curator: Well, it's fascinating to consider how celebrity culture was being manufactured and disseminated during this period. These cards, included in cigarette packs, weren’t just portraits, they were a form of marketing that intertwined consumption, fame, and aspirations. What does it tell us about the targeted consumer of Virginia Brights Cigarettes? Editor: Presumably, they’re trying to appeal to a male audience? Creating a link between smoking and… appreciating feminine beauty, in a respectable, almost collectable way? Curator: Precisely. And note how “respectable” that femininity is. Kidder is presented in a way that emphasizes her beauty and perhaps a hint of theatrical allure, but also propriety. The clothing, the pose, it’s all carefully constructed to appeal to certain societal values, thus selling not just cigarettes but a particular vision of the good life. To consider, where does this diverge from more explicit marketing and advertising tactics used during the period? Editor: So it's not just about the actress herself, but about the social narratives being built around her image and how those narratives encouraged consumer behavior. What strikes me now is how powerful those little cards must have been in shaping public perception. Curator: Indeed. By understanding how such images functioned within a broader network of commercial and social forces, we gain valuable insights into the historical construction of fame and desirability. Editor: I never considered the deep impact of small things such as trading cards! This was really eye-opening. Curator: The small things are the levers for changing popular belief. It's vital we consider this work as part of a broader set of consumer practices.
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