Wine bottle cooler (one of a pair) 1755 - 1775
ceramic, porcelain, sculpture
ceramic
flower
porcelain
sculpture
decorative-art
rococo
Dimensions: H. 7 9/16 in. (19.2 cm.); Diam. foot 4 7/8 in. (12.4 cm.)
Copyright: Public Domain
Curator: Here we have a Doccia Porcelain Manufactory wine bottle cooler, one of a pair, dating from around 1755 to 1775. You can see one example here on display. Editor: The first thing that strikes me is how cheerfully frivolous it seems. Those delicate porcelain flowers practically burst from the creamy white surface! Curator: Doccia, established near Florence, produced these luxury items primarily for European aristocratic elites. We must remember porcelain's unique value at this time. Beyond mere containment, this embodies elite status. Editor: Yes, it's visually overflowing, quite literally. Floral motifs have long signified prosperity and abundance; its exuberant style feels undeniably Rococo. Are the floral arrangements mimicking larger power dynamics, social cultivation perhaps? Curator: I think you hit on something interesting! The manufactured image of the ruling class often included being deeply involved in nature, albeit controlled and ornamental nature. But there are complex negotiations being made here concerning consumption and privilege. Think about what's on the inside too—wine, used as an affirmation of wealth at every party. Editor: Considering its original purpose, the imagery really deepens. I see now how this links into much broader dialogues about consumption and social signaling. Are those meandering gilded lines and the scalloped rims intended to emulate rippling water? Curator: Very possibly. Throughout history, depictions of water appear in art with significant weight; it can suggest purity, refinement. These would certainly resonate for an eighteenth-century viewer of such high culture and class. The cooler itself creates and cultivates an almost Edenic image of leisure. Editor: It is a captivating thought to realize how functional objects like this operate as small windows into a whole worldview. Curator: Absolutely. Thinking about these objects encourages me to understand art’s function within larger structural realities; such analysis ultimately brings this Rococo treasure more alive.
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