Cockerel weathervane c. 1820

Editor: Here we have an intriguing piece from around 1820, a cockerel weathervane, crafted by an anonymous American artist, mostly from wood with perhaps some glass elements. It gives off a very folksy, handcrafted vibe. What’s your take on this work? Curator: I see a direct connection between craft and necessity. This wasn't conceived as "high art" but emerged from a very specific material need – gauging the wind. The maker likely used readily available local materials and employed skills passed down through generations. We see this kind of practical artistry blurred with the aesthetic. Editor: So, you're saying it's the functionality that informs its artistic value? Curator: Precisely! Think about the labor involved. Each cut, carve, and paint stroke reflects hours of work, probably done by hand. The rounded shape isn't just stylistic; it's a structurally sound design to catch the wind effectively, and is also dictated by the qualities of the materials they have available. It wasn't produced in some ivory tower removed from real-world issues. Editor: That makes me look at it differently. The very existence of this piece relies on available wood, glass, the skill of the craftsperson… everything is so grounded. Curator: Exactly. And the paint; Where did they get that colour? The red, perhaps from brick dust? How do such choices speak to their surroundings, their environment, or trade networks? Editor: It shows that art can arise directly from everyday practical needs and local resources rather than some grand artistic statement. Curator: Precisely!