Dagger c. 900

This dagger was crafted by an anonymous artist and resides at the Minneapolis Institute of Art. Its patinaed surface and elemental form evoke a deep sense of history. Consider the dagger's composition. The handle is an assembly of cylinders topped by a curved pommel, leading the eye down to the flat, broad guard. From there, the blade tapers to a point. The verdigris finish creates a play of light and shadow, accentuating its metallic texture. This is a functional object, yet the maker has clearly considered aesthetics. How does an object like this destabilize the boundaries between art and utility? As a tool, it represents power and control. However, its crafted form and surface invite contemplation beyond its mere function. It embodies a dialogue between purpose and aesthetics, blurring conventional categories. Ultimately, the dagger serves as a cultural artifact, reflecting the values of its time. We see how form is not just about function but also about meaning.