Toulouse ganzen by Henri Verstijnen

Toulouse ganzen 1892 - 1931

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drawing, print, woodcut

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drawing

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animal

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print

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figuration

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woodcut

Dimensions height 375 mm, width 363 mm

Curator: Immediately, the stark contrasts jump out, don't they? It feels very graphic, very deliberate in its choices. Editor: Indeed. What we're looking at is a print entitled "Toulouse Ganzen" by Henri Verstijnen, made sometime between 1892 and 1931. It is, as you noticed, a woodcut—giving it that wonderfully bold visual impact. Curator: It's interesting that you mention its visual impact. Given its potential era of production, how might this boldness be interpreted through socio-political lenses of the time? There’s something about its almost protest-like clarity… Editor: That's a perceptive observation. Consider the rise of printmaking during that period, and how it democratized art. Verstijnen may have been engaging with that impulse—using the medium to create accessible imagery. Curator: The fact it depicts geese - are there any folkloric or symbolic interpretations to these birds? Maybe a tie in with agriculture, class relations and the working-class people. Editor: It’s tempting to read it politically, but sometimes an animal is just an animal! Verstijnen was known for his animal studies. However, looking at it from a material perspective, you see how the texture of the woodcut itself creates a sense of earthiness. It’s intrinsically tied to its means of production and reminds one of labour, craft. Curator: That material connection is vital. In some ways, it almost anticipates the emphasis on materiality that becomes prevalent later in 20th-century art, doesn't it? We are looking at more than a mere portrait of a pair of barnyard fowl. We are witnessing the embodiment of social currents, embedded within art history's evolving narrative. Editor: I agree. There’s a potent blend of simple subject matter and impactful artistic execution. A humble artwork that nevertheless holds complexities relating to both form and function. Curator: Ultimately this invites viewers to actively engage with not only the artwork's aesthetic presentation, but also with its socio-political implications. I feel enlightened! Editor: A worthwhile discovery indeed, seen from a technical point of view or for cultural symbolism. Thank you for sharing this experience.

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