Standing Christ, Blessing from 'Christ, Mary, and the Apostles' 1585 - 1615

Antonio Tempesta created this engraving, "Standing Christ, Blessing," as part of his series "Christ, Mary, and the Apostles" in the late 16th or early 17th century, a period defined by religious conflict and reformation. Tempesta, working in Italy, was deeply influenced by the Counter-Reformation's emphasis on reaffirming Catholic doctrine through art. In this context, the image of Christ takes on heightened significance. Christ, with his right hand raised in benediction, stands as a beacon of divine authority, while the scenes of the Nativity and Resurrection at his feet underscore his life, death, and promised return. The print attempts to consolidate power within the church. How does representing Christ in this manner contribute to the construction and reinforcement of religious identity? In a time of upheaval, Tempesta's work offers a vision of steadfast faith, inviting viewers to align themselves with the promise of salvation.