Portret van August Allebé, en profil 1911 - 1927

Editor: We're looking at a photograph entitled "Portret van August Allebé, en profil," taken sometime between 1911 and 1927 by Bernard Eilers. It's a gelatin-silver print, and it gives off a real sense of quiet contemplation, doesn't it? Very composed. What do you make of this piece? Curator: You know, that quiet is what really grabbed me, too. It’s like stumbling upon a moment held carefully in time. Eilers seems to be not just documenting Allebé’s face but maybe trying to capture something of his essence. What do you think the profile view adds to the story, compared to a full-face portrait? Editor: It definitely feels more formal, perhaps even a bit detached. Almost like looking at a historical figure rather than an individual. Curator: Exactly! The profile invites a sense of observation, of looking at a specimen perhaps, but I also see a vulnerability. A turning away can be a form of self-revelation, ironically. It’s black and white – literally devoid of vibrant life. Did you pick up on any clues to his status or background? Editor: The suit and tie hint at a certain social standing, perhaps a professional of some sort? But I'm mainly responding to the aesthetic of it all. Curator: It reminds me of old family portraits—a link to ancestors and faded stories. Perhaps he wanted to reflect the gravitas and historical insight they held. This piece makes me think about how photographs, like memories, fade and shift over time. How fascinating! Editor: It is! Thinking about it that way really deepens the experience. I’m so glad we took a closer look. Curator: Me too! Who knew a simple profile could hold so many stories and reflections?