photography, gelatin-silver-print
portrait
black and white photography
form
photography
black and white
gelatin-silver-print
monochrome photography
monochrome
identity-politics
monochrome
Dimensions image: 10.95 x 10.95 cm (4 5/16 x 4 5/16 in.) sheet: 25.4 x 20.4 cm (10 x 8 1/16 in.) framed: 57.79 x 52.71 cm (22 3/4 x 20 3/4 in.)
This is Ann Hamilton’s “body object series #4, cloth.” I can only imagine what it was like for her to make this image. She stages the photo with a figure seated in front of what seems to be a wall with peeling paint. The person's head is covered with a white cloth, suspended mid-air, obscuring their identity. In some ways I really feel for the sitter, they are almost being consumed by the cloth, and the image is almost a metaphor for the ways in which identities are constructed and obscured. It also raises interesting questions about visibility, representation, and the human form. I'm reminded of other artists who have also explored similar ideas of the body and identity, like Ana Mendieta's "Silueta" series, where the body merges with the landscape, or the work of Francesca Woodman, who used her own body in surreal and enigmatic ways to examine themes of identity and self-representation. All of these artists are in a conversation, each building on the ideas and experiments of those who came before, finding new ways to express something that is both deeply personal and universally human.
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