Am Ufer eines Flußes sitzt viel Volk bei den Schiffen, vorne rechts ein reich gekleideter Reiter mit einem Turban, links galopiert ein zweiter by Jacob van Strij

Am Ufer eines Flußes sitzt viel Volk bei den Schiffen, vorne rechts ein reich gekleideter Reiter mit einem Turban, links galopiert ein zweiter 

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drawing, coloured-pencil, watercolor, ink, chalk

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drawing

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coloured-pencil

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landscape

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watercolor

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ink

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coloured pencil

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chalk

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watercolour illustration

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rococo

This artwork by Jacob van Strij shows riders with a crowd watching near the ships on a riverbank. Notice the turban worn by the richly dressed rider on the right. This headwear, originating in the Middle East, signifies more than just cultural identity; it evokes notions of trade, exoticism, and even a touch of the Orient. Consider the Magi in Renaissance paintings, often depicted with similar head coverings, embodying wisdom from afar. This motif is not static. The turban, once a marker of Eastern dignity, has traversed continents and centuries. It has been adopted, adapted, and imbued with new meanings. In some contexts, it symbolizes resistance, while in others, it becomes a fashion statement, shedding its original cultural weight. The image of the turban becomes a powerful force, engaging viewers on a deep, subconscious level, evoking ideas of tradition, cultural exchange, and the ever-shifting nature of identity. It is a continuous cyclical progression that has resurfaced and evolved throughout history.

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