Briefkaart aan Philip Zilcken by Cornelia van der Hart

Briefkaart aan Philip Zilcken Possibly 1888

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drawing, ink, pen

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drawing

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ink

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pen

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post-impressionism

Curator: This humble postal card, a drawing in ink, pen on paper, likely dating from 1888 and penned by Cornelia van der Hart to Philip Zilcken, seems so delicate and personal. It’s a brief, yet tangible object that really speaks of connection and labour of a certain era. Editor: It looks rather unassuming but quite neat, with that simple stamp on the top right! What significance can we glean from this material exchange? Curator: Well, let's start with the basics: the pen, the ink, the paper. Each element speaks to production and accessibility in late 19th century Europe. Consider the rise of literacy and the expansion of the postal system, facilitated by industrial processes creating cheaper paper and ink. How do these factors influence our understanding of art beyond purely aesthetic concerns? Editor: I see what you're saying! So it's not just a note, it's evidence of an industrialized society’s ability to make this exchange even possible. What do you mean though by artistic concern beyond the aesthetic ones? Curator: Think about how Cornelia used readily available tools of writing and communications to create a postal ‘artwork’, by using skilled lettering with her pen, rather than oil paint on a grand canvas. Are we devaluing her work when we place so much focus on materials as the main subject of discussion here? How can that be avoided when analyzing this work from a materialistic perspective? Editor: Hmmm. Focusing on materiality might not tell us if they were friends. But looking at the mode of artistic creation shows the social forces that drove artistic creativity during a specific period. The card and postal system fostered those sorts of relationships and networks. Curator: Precisely! Examining the infrastructure, labour, and distribution networks inherent in this seemingly simple object exposes a wider system of exchange and artistic practice than one initially presumes when merely noting the image. Editor: Thanks. I'm seeing a totally different picture than just an artist mailing another artist!

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