Dimensions: image: 760 x 584 mm
Copyright: © Estate Martin Kippenberger/Galerie Gisela Capitain, Cologne | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Martin Kippenberger’s "The Alma Band," and it looks like an advertisement for a performance on December 16th, 1984. It’s a chaotic collage, quite jarring. What do you see in this piece? Curator: The chaos is key! Kippenberger was deeply critical of the art world establishment. The haphazard collage technique, with its clashing imagery and seemingly random text, can be interpreted as a deliberate rejection of artistic conventions popular at the time. Editor: So the aesthetic choices are making a statement. Curator: Exactly! Think about the period: 1980s Neo-Expressionism, slick and marketable. Kippenberger countered with something deliberately messy, resisting easy consumption. It's poking fun at the commercialization of art. What does that make you consider about the purpose of art? Editor: I guess I hadn’t considered the art world itself as a subject. It’s a critical piece, but not in the way I initially thought! Curator: Precisely, context shifts our interpretation.
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http://www.tate.org.uk/art/artworks/kippenberger-the-alma-band-p79083
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This poster was produced in 1984 to publicise a performance of The Alma Band – a musical duo comprising the German artists Martin Kippenberger and Albert Oehlen (born 1954) – that took place at the Museum of the Twentieth Century in Vienna on 16 December 1984.