Action Proves the Man 1659

Jan Steen’s painting captures a moment of domestic music-making, rich with symbols of harmony and discord. Note the prominent presence of musical instruments, a harpsichord and a lute, which speak to the balance and order sought within the household. The harpsichord, with its inscription 'Als d'ooghe siet, soe moet het herte niet' (‘What the eye sees, the heart must not’), introduces the complexity of appearance versus reality, reminding us of the potential for deception and the importance of discernment. This connects to the ages-old motif of 'vanitas', the transience of earthly pleasures, seen in musical themes throughout art history. Consider how these instruments, promising harmony, also hint at the subtle tensions, like the discordant notes that once accompanied seduction scenes. It’s a delicate balance, resonating deep in our collective memory. This echoes through time, reminding us that harmony is hard-won, a dance between order and chaos, seen and unseen.