Dimensions: unconfirmed: 390 x 305 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Keith Arnatt's "Walking the Dog," part of the Tate Collection. I find it wonderfully understated, almost deadpan. Editor: The monochrome tones really emphasize the starkness of the setting, there's a sort of working-class ennui hanging in the air, wouldn't you agree? Curator: Perhaps. I see a quiet dignity, a man and his dog, both posed against a rough stone wall, each with their own silent thoughts. The purse he's carrying seems almost defiant. Editor: Yes, the purse disrupts the heteronormative conventions we might expect. It challenges our assumptions about gender roles and everyday performance. Curator: Absolutely. It's as if Arnatt's saying, "Here I am, eccentricities and all." There's a gentle humor to the work. Editor: But also consider the dog’s position, its gaze; its very existence is entwined with human systems of power and control. Curator: True, it makes you ponder the nuances of those interspecies relationships. It's deceptively simple, layered with subtle observations. Editor: A slice of life framed just so to provoke deeper questions about our place in the world. Curator: Indeed, a quiet moment captured that continues to speak volumes.
Comments
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Walking the Dog is a large series of black and white photographs of individuals standing outside with their dogs. While the locations depicted in the photographs vary from street pavements and country lanes to parks and gardens, all the images in this series share consistent formal characteristics: in each case the single owner stands full-length in the centre of the image facing the camera with the dog at their feet, and no other human or animal can be seen within the tightly framed square shot.