Card Number 719, Punie, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes by W. Duke, Sons & Co.

Card Number 719, Punie, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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16_19th-century

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print

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charcoal drawing

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photography

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19th century

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men

Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Copyright: Public Domain

Curator: So, here we have card number 719, entitled "Punie" from the Actors and Actresses series. W. Duke, Sons & Co. issued these cards in the 1880s to promote Cross Cut Cigarettes. What's your initial take? Editor: Intriguing! She's completely decked out in what looks like...coinage? It's a mesmerizing yet slightly unsettling visual choice. The sepia tone gives it this antique vibe, but her intense gaze feels surprisingly modern. Curator: Indeed, the use of coins as adornment immediately catches the eye. Across many cultures, coins symbolize wealth, status, and even protection. Her headdress and necklace, both crafted from coinage, suggest a very specific kind of persona being constructed here, tied to ideas of value and spectacle. Editor: Right, she's performing a role, and the coins are part of the costume. There's a calculated exoticism going on that feels, I don't know, slightly problematic to my 21st century eyes. Like she's playing a part, and maybe not her own? But there’s undeniable power in her expression. A silent dare, perhaps? Curator: That resonates. Consider the historical context—these trade cards were distributed during a time of burgeoning mass media and advertisement. Actresses were among the first celebrities, figures both admired and scrutinized. Her adornment likely serves a dual purpose: hinting at her stage persona, while also subtly equating the cigarette brand with a form of exotic allure. Editor: It's like a condensed version of an orientalist painting, packaged as a disposable commodity. The brand subtly aligns itself with this alluring "otherness." Makes me wonder who "Punie" really was, and what she thought about being packaged this way. Curator: Precisely. It invites us to consider how identities are constructed, commodified, and circulated through visual culture. Each card, though seemingly insignificant, acted as a vehicle for powerful cultural messaging. Editor: Gives you a new appreciation, or perhaps, apprehension, for the power of visual symbolism, even on something as fleeting as a cigarette card. It also shows how images carry layers of meaning through different eras. I guess it leaves us all pondering what message she conveys to us, still.

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