Portret van een onbekende vrouw before 1903

Editor: We’re looking at a photographic print, a gelatin-silver print titled *Portret van een onbekende vrouw*, or *Portrait of an Unknown Woman*, created before 1903 by Alfred Kirstein. It’s reproduced in a book spread. It strikes me as being remarkably intimate, almost like a secret snapshot, wouldn't you say? What do you see in this piece? Curator: A ghost from the past, whispering forgotten stories! The unknown woman, framed within a book, becomes doubly mysterious. Is she a phantom, trapped in ink and silver? Or are we, the viewers, intruding on a private moment, accidentally glimpsing a life that was? And is there some subtle Intimist reference, tucked away in a book? The use of the gelatin-silver print is amazing to convey emotion, wouldn’t you agree? Editor: I do. I hadn't quite picked up on the 'ghost' idea initially, but that reading certainly resonates. The image quality isn't what we'd expect today - perhaps that has something to do with it? Curator: Precisely! The imperfections, the delicate fading... It's a gentle reminder of photography’s fragility and also our own. Do you find it melancholic? Or something else altogether? Editor: There is definitely an emotionality, especially that ghostly touch. I would have easily walked by without even seeing her! Curator: Isn’t that always the risk, when looking at art? Missing what is right in front of us. Still, it’s there for us, waiting.