Dimensions: support: 251 x 181 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This drawing is a portrait of Mary Calvert, the artist's wife, rendered by Edward Calvert. It resides in the Tate Collections and provides a glimpse into the domestic sphere of the artist. Editor: There's a quiet serenity about it, almost a melancholic stillness captured in those gentle pencil strokes. Curator: Looking at the way Mary is depicted, there's a sense of idealized femininity, particularly in the soft rendering of her hair and delicate features. We might consider how this image participates in broader societal expectations around women and beauty. Editor: I see echoes of classical portraiture, a kind of timeless elegance in the simple lines and composition. Her gaze seems to hold a story, a private world hinted at through symbolic gestures and the artist's careful attention. Curator: Exactly, and those classical allusions perhaps underscore the limitations placed upon women of the time. Editor: It’s fascinating how a simple drawing can resonate with layers of personal and cultural meaning. Curator: Indeed, and by examining its context, we can uncover the subtle narratives embedded within this intimate portrait.
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http://www.tate.org.uk/art/artworks/calvert-mary-calvert-the-artists-wife-n02884
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Calvert married Mary Bennell in 1824 and this portrait probably dates from just after this date. Mary, who painted a few pictures was an active participant in her husband's art life. She seems to have occasionally met William Blake and knew his poetry. She thus had direct knowledge of how this 'spiritual man' inspired Edward's art and that of his fellow 'Ancients'. She discussed art with her husband and almost certainly contributed to his thinking on a subject which preoccupied him later life - the relationship between colour and music. Gallery label, August 2004