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Curator: Before us, we have an untitled portrait by Elizabeth Rigby, from the Tate Collections. The work, rendered in pencil, captures the likeness of a woman in delicate detail. Editor: It’s the hair that grabs me, all those tight ringlets. You can almost feel the texture of the paper, the drag of the pencil creating those coils. Curator: Rigby, born in 1809, navigated the art world at a time when female artists often faced societal constraints. Her work shows that even within limitations, artistry could thrive. Editor: I'm drawn to the immediacy of pencil—the direct connection between artist and subject. The bare paper, the lack of color, makes it honest, raw even. Curator: It certainly provides an interesting insight into the aesthetic preferences and social portraiture of that era. Editor: Indeed, a material record that invites us to contemplate the artist's labor, the sitter’s patience, and the cultural value placed on such depictions. Curator: A fascinating glimpse into the 19th century. Editor: Absolutely, a compelling look at the relationship between hand, material, and subject.